Everybody was talking about hysteria in late 19th-century Paris. Hysterics appeared in novels and plays; they were painted, photographed, sculpted and drawn. People crowded the Salpêtrière Hospital in Paris to attend demonstrations and lectures on hysterics given by the world-renowned neurologist Jean-Martin Charcot (1825-1893), and to gaze at his star patients. Who could resist admiring the ‘queen of hysterics’, the beautiful Blanche Wittmann (1859-1913), her face relaxed and insensible as she was pierced with needles by doctors, to demonstrate how she couldn’t feel any pain?